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The canzona's dominant rhythm is


A) short-long.
B) long-short-short.
C) long-long.
D) short-long-long.

E) None of the above
F) All of the above

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Provide a detailed explanation for the reasons opera developed during the Italian Baroque period.

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In her paintings,Elisabetta Sirani depicted Christianity's miracles as


A) everyday events.
B) mythological events.
C) sexual experiences.
D) dramas of harmony.

E) B) and C)
F) None of the above

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Compare Andrea Pozzo's Baroque Apotheosis of Saint Ignatius to Michelangelo's Mannerist Last Judgment (Chap.20),explaining how each is representative of its respective period.

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The Roman patrons who were most responsible for creating the Baroque style were


A) the middle class.
B) the nobility.
C) women
D) the papal court.

E) A) and C)
F) C) and D)

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Caravaggio's Conversion of St.Paul and John Donne's sonnet "Batter My Heart" share a thematic interest in


A) the celebration of the physical appetite.
B) the tension between the sacred and the secular.
C) conversion imagined as physical ravishment.
D) light revealing faith's transformative power.

E) A) and C)
F) A) and B)

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A defining characteristic of Baroque art is


A) attention to viewers' emotional experience of a work.
B) return to the forms and proportions of Classical art.
C) focus on symbolism.
D) minimal decoration and sensuousness.

E) None of the above
F) B) and C)

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Why is Antonio Vivaldi's The Four Seasons known as program music?


A) He composed it for one of the orphans' performances, or programs.
B) Its purely instrumental music is connected to a story or idea.
C) Its episodes contrast back and forth with the musical score.
D) The music follows the program and rhythms of speech.

E) A) and D)
F) A) and C)

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Artemisia Gentileschi was so obsessed with the biblical story of Judith beheading Holofernes that she painted five versions of it with Judith being a self-portrait,because


A) Gentileschi was of Jewish descent.
B) Gentileschi's mother was named Judith.
C) Judith was a female artist.
D) Gentileschi had been raped.

E) B) and D)
F) C) and D)

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Fra Andrea Pozzo created the highly dramatic space in Apotheosis of Saint Ignatius by using


A) chiaroscuro.
B) foreshortening.
C) tenebrism.
D) an invisible complement.

E) B) and D)
F) C) and D)

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Baroque artists placed elements on a diagonal plane,rather than the frontal and parallel planes used by Renaissance artists to


A) evoke a sense of greater depth.
B) induce more defined shadows.
C) produce a stronger sense of action.
D) provide greater balance.

E) B) and D)
F) All of the above

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In his Cornaro Chapel's sculptural program,Bernini equated Teresa of Ávila's religious visions with


A) spiritual rebirth.
B) chastity.
C) sexual orgasm.
D) dancing.

E) C) and D)
F) A) and C)

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In The Calling of Saint Matthew,Caravaggio uses light to


A) transform the calling into a miracle.
B) identify which of the subjects is Matthew.
C) make Matthew's conversion seem threatening.
D) makes Jesus's entrance seem threatening.

E) A) and D)
F) A) and C)

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Baroque compositions such as The Four Seasons are perhaps most distinguishable from their Renaissance predecessors because of their


A) solo passages.
B) trio sonatas.
C) arias.
D) modulation.

E) B) and C)
F) None of the above

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Louis XIV rejected Gianlorenzo Bernini's Baroque design for a new façade for the Louvre,finding it too


A) similar to the Vatican colonnade.
B) simple and classical.
C) expensive to build.
D) elaborate and ornate.

E) A) and B)
F) A) and C)

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Orphanage directors hoped that audiences would be dazzled by the orphans' musical performances so that they would


A) adopt the talented children.
B) buy tickets to their performances.
C) help find jobs for the orphans.
D) donate money to the orphanages.

E) A) and C)
F) B) and C)

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Compare Bernini's Baroque David to Michelangelo's Renaissance David (Chap.14),explaining how each is representative of its respective period.

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